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A pictorial approach to aquatint.
Aquatint is an etching process that produces effects similar to wash on a metal plate using a grain of resin powder that is resistant to the etching solution, allowing different shades of grey to be created depending on how long the acid etches the plate.
This course focuses on understanding the different stages of the aquatint technique. The transparent superimposition of several successive aquatints, each with its own etching time, allows us to greatly expand the spectrum of values from white to black, passing through all the subtleties of grey engraved on the same plate. This gradual search for deep, nuanced blacks in wash, characteristic of the aquatint technique, invites us, while remaining within the realm of engraving, to adopt a gestural practice similar to that of a painter.

The engraving workshop takes place at the following times:
Sunday: from 3 p.m. (arrivals and welcome)
Monday: 10:00 a.m. to 1:00 p.m. and 2:00 p.m. to 6:00 p.m.
Tuesday: 10:00 a.m. to 1:00 p.m. and 2:00 p.m. to 6:00 p.m.
Wednesday: 10:00 a.m. to 1:00 p.m.
Each participant must bring a polished copper plate measuring 20 x 30 cm and at least two designs (drawings or photographs) in the same format as the plate. Please note that the image will be reversed when printed on paper. Remember to mirror your project. If you want to keep the drawing or photograph intact, make a copy as you will be drawing on it to transfer the design onto the plate.
The price is €1,250 per guest for accommodation in the château and €1,100 for accommodation in the annexe, full board from Sunday afternoon to Wednesday morning.

Born in 1970 in Buenos Aires, Argentina, Pablo Flaiszman received training in drawing and painting from Luisa Reisner from an early age, while Alfredo de Vincenzo introduced him to engraving in 1997.
In 2000, he moved to Paris, France, where he established himself as an engraving artist in the studio of Danish artist Torben Bo Halbirk. Since 2015, he has been working in his own studio in Paris's 18th arrondissement.
He has been awarded residency grants in printmaking in France, Germany, Denmark, Croatia, Morocco and Luxembourg. He has won numerous prizes, including the Prix Miroir de l'Art, France; the Prix 7e Biennale de l'Estampe de Saint-Maur; the Prix jeune gravure contemporaine du Salon d'Automne; the Prix 14e Biennale de Conflans Sainte-Honorine; the Gravix Foundation Prize; the Kiyoshi Hasagawa Prize, Taylor Foundation; the Young Artists in Engraving Prize, Académie des Beaux-Arts de Paris; and First Prize in Engraving at the 98th National Visual Arts Salon in Argentina.
His works have been featured in numerous group and solo exhibitions.
Discover all of our upcoming workshops here.
